So the kickstarter I was working has finally gone live. It’s called GodCell: Gate of Gods and I wrote the third issue (out of 3 issues) so the finale is mostly mine. Show support anyway you can by donating or spreading the word. Thanks a-million.
Building a Better Brand
Buying Black Because…
We’re Not Crabs, We’re People
Haste Makes Waste
The Race Yet to Run
While not a fan of medieval setting, I do like the fact that Ball used the common misconceptions of women in that era to Virgin’s advantage. In the eyes of any man, a woman would be incapable of hurting anyone let alone killing Louie, allowing her to get away with it. Virgin however, proves that she is a forced to be reckoned with, conjuring images of Frank Miller’s Electra in her prime. We’re also introduced to the son of the area’s duke, who while still unnamed, seems like he’ll have a bit of emotional depth to him. The brief exchanges with his father are enough to paint a sympathetic portrait of a young man hungry for admiration. It’s also interesting that the roles in the comic, at least in my eyes seem to be a bit reversed. Virgin is the take no prisoners bad ass and the duke’s son is compassionate, uncommon for something from this time period. My only problem is that I feel that more could have been done in this issue. The ending could’ve had more impact and the reason for Virgin’s crusade could’ve been made clearer.
I’ve added a contact me option at the bottom of the page for any fans who want to shout out.
Writer: Glenn Brewer
Artist: Glenn Brewer
Publisher: Glenn Brewer
Some time ago, I came across Raven Hammer Comics in my search for indie black books. Created by writer Brian Williams, Raven Hammer published three original comics, and the most appealing of the trio was the Harlem Shadow. I bought the first issue to see if it was as cool on the inside as it was on outside, and when issue two came out I had no choice but to buy that too.
This issue features two short stories. The first sees our eponymous hero paying a visit to a local dive, where he has a fist to face or belt to ass conversation with Willie Bourbon. Willie is the abusive husband of Giselle, who happens to be a friend of the Harlem Shadow’s. He (Willie) is also an employee of ‘Bossman’ who seems to run most of Harlem’s criminal underworld, setting the stage for a larger story. The second tale goes inside reporter Nigel Shaw’s attempt to build the Shadow’s publicity, and sell his boss Walter Rhodes on the idea. They plan to use the Midnight Sun, the paper Rhodes owns, to target the various organized crime figures in Harlem. All the while letting the world know that black people now have a superhero of their own, to fight their battles, as the first knight in the kingdom of Harlem.
The inks and lines of Rodolfo Buscaglia perfectly encapsulate the noir cool of the book. From action scene to conversation, I feel like I am in 1920’s Harlem. His strong art style brings definition and not only captures the pulp genre but the renaissance itself. Usually I would prefer a book to be in color, however, anything but black and white would have compromised the feel of this work, so I’m glad Williams and Buscaglia went with it.
I am still in love with this book and I see it as a standard-bearer for independent black comics. I think everyone should be reading this, supporting its creators and maybe taking notes. I am definitely looking forward to the second issue because, my friends, this is how universes are born. You can buy One Nation at the following, 133comics,Comixology, Amazon and Pulp free publishing
Written By: Lonnie Lowe Jr.